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Book: Drawing Architecture by Helen Thomas via Phaidon

Hardcover | 11-3/8 x 9-7/8 inches | 320 pages | 285 illustrations | English | ISBN: 978-0714877150 | $79.95
Hardcover | 11-3/8 x 9-7/8 inches | 320 pages | 285 illustrations | English | ISBN: 978-0714877150 | $79.95

Publisher Description:

Throughout history, architects have relied on drawings both to develop their ideas and communicate their vision to the world.

This gorgeous collection brings together more than 250 of the finest architectural drawings of all time, revealing each architect’s process and personality as never before. Creatively paired to stimulate the imagination, the illustrations span the centuries and range from sketches to renderings, simple to intricate, built projects to a utopian ideal, famous to rarely seen – a true celebration of the art of architecture.

Visually paired images draw connections and contrasts between architecture from different times, styles, and places. From Michelangelo to Frank Gehry, Louise Bourgeois to Tadao Ando, B.V. Doshi to Zaha Hadid, and Grafton to Luis Barragán, the book shows the incredible variety and beauty of architectural drawings.

dDAB Commentary:

One of Phaidon’s tried and true formats is what I’d call the compilation book: one image with descriptive text per page, all geared to a particular theme. There’s The Design Book, The Garden Book, Design for Children, and others related to architecture and design as well as books about art, cooking, and so forth. The success of these titles is certainly related to their subject. So for architects, Drawing Architecture is sure to please. Its nearly 300 pages of drawings range in time from 2130 BC to 2018. But instead of presenting the drawings in chronological order (a timeline at the back of the book, visible as the bottom spread, orders them as such) or in alphabetical order by their creators (as was done in The Garden Book, one of Phaidon’s compilation books I’m most familiar with), author Helen Thomas opted for what she calls “an associational approach” meant to “provide imaginative space for the reader to make their own connections between the images.” Yet with similarities in terms of color, form, perspective, and other visual means between the facing drawings on each spread, Thomas is already making those connections for the reader.


Read the full story HERE >>>> Source: Archidose

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